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After the success of "A History of Fashion", our second collections tour will open to the public in June 2023.

This next collections tour will be an opportunity for you to discover a new history of fashion, from the 18th century to the present day, through our exceptional collections presented in a new theme dedicated to the body in motion.

The link between fashion and sport will be the subject of the second display of this new collections tour, echoing the Olympic Games that will be held in Paris in 2024.

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  • Waistcoat worn by Claude Lamoral II (1685–1766), Prince of Ligne and the Holy Empire

Waistcoat worn by Claude Lamoral II (1685–1766), Prince of Ligne and the Holy Empire

  • Circa 1750
  • Front: Brocaded liseré gros de Tours, blue silk, polychrome silk thread, gilded silver thread. Woven design for a waistcoat. Back and lining: blue silk taffeta, white silk taffeta, wooden buttons covered with thread and gilded silver foil.
  • Gal 2004.7.1
  • Purchased by the City of Paris
  • Palais Galliera, musée de la Mode de la Ville de Paris

This sleeved waistcoat belonged to Claude Lamoral II (1685–1766), Prince of Ligne and the Holy Roman Empire. He was the father of Charles-Joseph Lamoral (1735–1814), 7th Prince of Ligne, a friend of Marie Antoinette and a famous memoirist. Owners of a château at Beloeil, in what is now Belgium, the family was received in all the courts of Europe. 

The history of this waistcoat's textile ornamentation is at once well known and mysterious. The design resembles one by Anna Maria Garthwaite, an Englishwoman who worked as a designer for the silkweavers in Spitalfields, in London. Three other waistcoats with the same kind of woven embellishment are known: one at the Metropolitan Museum of Art's Costume Institute in New York; another at the Palazzo Mocenigo in Venice; and the third also at the Palais Galliera. This example and the one in Venice are very similar in their background decoration and a floral design thicker and more exuberant than the English version. Astonishingly similar, these four waistcoats make up a remarkable group of aristocratic garments, but the Galliera model stands out for its illustrious provenance.

Notice's author : Pascale Gorguet-Ballesteros

View of a waistcoat worn by Claude Lamoral II (1685–1766)
  • View of a waistcoat worn by Claude Lamoral II (1685–1766)
  • View of a waistcoat worn by Claude Lamoral II (1685–1766)
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